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The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. Complete 1st Label Reference Set: Stereo(1961-78), Prestige records labels 1951-82+overview, NY yellow/black fireworks label all titles ReferenceSet, Bergenfield black silver fireworks stereo label (1959-71) all titles ReferenceSet, Bergenfield yellow/ black fireworks label all titles ReferenceSet, NY label data table: cover and label text, etchings, for eachtitle, Prestige Research Project: Summary of Findings(preview), Prestige Collectors data collectionworksheet, Collectors Guide To The US Riversidelabel, Disques Vogue The FlintermanCollection, Tips for buying records online,successfully, Chamber of Horrors when records gowrong, US pressing plant stamps and otheridentifiers, LJC record photography and vinyl rippingclass, High Fidelity, Decline of the Decades: PeterQvortrup. They can't find the tapes. My initial thought in reply to my questioner was the lazy answer, " it depends which you prefer" . Kind Of Blue Ravnsborggade 17 DK-2200 Copenhagen N Denmark kindofblue@kindofblue.dk phone: +45 . It's present in all formats. Progress, what is it with that word that it manges to bug me so often? A surprising number of audiophiles don't even know what is the difference between mixing and mastering, let alone how a well-recorded album differs from a well-mastered one. So when I read imbeciles claiming Columbia used it into the 1980s because some records sound "better" with it, I get a bit crazy (er). It very well may have been erased and the tape re-used. The number of channels used while recording and listening to audio is the primary distinction between Mono and Stereo sound. Affiliate programs and Without your info, I'm sure it would have been a lot more work for me to build up my system and collection of records. Since the mono tapes apparently no longer exist, recent monophonic reissues (yes, some people do prefer mono) were created by mixing down the three tracks on the backup stereo master to a single track. Another fifteen lacquers contribute to the final tally of all those found. Both are difficult to get but worth seeking out. Again, I'm very happy with my Columbia RSD pressing. Its a double album, with the first LP offering the record in its original stereo form (speed corrected, of course) and a second disc featuring the first take of Flamenco Sketches on one side and a version of Green Dolphin Street on the other. G 7th; H 8th; J 9th; K 10th; L 11th;AA 12th; I saw Arthur's comments about distortion and as I was listening I instantly understood what Arthur was commenting on. Then they would start again, fill four tracks and mix those down to one track. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. (After completing the second take, which is the one used on the album, Miles Davis reportedly turned to the producer Irving Townsend and said, That was terrible, Irving.). and we'd love to turn you on. Check out www.recordstoreday.com. My heart always sinks when I read those words. Ended: Apr 29, 2023 , 5:16PM. Good luck, L edition numrot de 2015 Dans un emballage carton bleu. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. Controversial in some quarters, but I agree. I've got both. I'm not extremely happy with the MOFI pressing that I bought recently. I agree Crosley is the devil. There is a recordwhich is perfect to test the theory of Columbia matrixes to see how well it explainsand dates the manufacture ofColumbia records in practice the immortal Kind of Blue. The credit on this story should be updated to correct that. Only one -1A/ -1B/ or -1Cstereo six-eye was found, claimed as mythical 1B/1B of which I am highly sceptical. This is true EVEN IF the original artist/people are involved in the later versions. I'd like to thank you for all the valuable advice that I've been able to glean from your Stereophile column over the years. I caughtone seller claiming he had a 1A/1A in the auction headline which later in the description expanded to 1AC/1AE. These are the fabricator codes used by the main cover suppliers to majors, including Capitol and Columbia (information gleaned by Beatles researchers): 2 Imperial Paper Box Corp., Inc. of Brooklyn, NY cwitt1980 Senior Member Thread Starter. Back in 1992 Wilder discovered the KOB speed anomaly that resulted in side one of the original album being slightly sharp in pitch because the 3 track recorder was running slightly slow during the recording session. Now I'm bummed. Pour a glass or cup of your preference and press play. During these sessions both a mono and a three-track stereo master were created, using a total of four tape recorders running in synchronisation one prime recorder and one safety backup each for mono and stereo. Whilst Columbia pressed records through its own plants, each with its own metal parts plating Division, cover manufacture and print was handed over to specialist print and packaging manufacturers. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). ), Forum Policies, Rules, and Terms of Service. And the alternate take just sounds stupendous. Mono feels a bit more powerful because of the nature of mono. this can result in this site earning a commission. DE 49th;ad infinitum. Before the sacred tapes were returned the vaults, a copy of the 50th anniversary remastering was transferred to a high resolution digital file. Or are they some digital combinaison? I have an original mono pressing and I was a little unsure if it was a worn record or just the horn. 5 Modern Album of Terre Haute, IN Sorry, guys. Other fonts were used by printers for other plant locations. The new 24/192k mix is very good !! Kind of Blue sounds about the same as the stereo CDs, because it's mixed down from the same 3-track tape (the mono masters are, by some accounts, worn out; by other accounts, missing). 8 Decca? affiliations include, but are not limited to, the eBay Partner Network, and The three-track recording produced three distinct channels and nothing you could legitimately call "stereo". Mono vs. The two bonus tracks are of particular interest. Do you expect much improvement over the Classic Records stereo 45 release from the 90s? In preparation for the commercial release, Columbia engineers cut at least 27 identical lacquers from the first master tape mix, one set mono, the other stereo. 2001-2023 Head-Fi.org. They are all potentially the first. And sometimes each version has its own equally attractive but different qualities.

. Been dying for a decent mono version of KOBE since I got into jazz about a year ago. So can anyone recommend me which versions should I own ? Most modern speakers are are small or narrow. Every tape machine in a proper recording studio is calibrated directly before the recording session to make sure it is performing to spec using alignment tapes and an oscilliscope. Going back over the pictures of jackets accompanying mono white label promos, three fabricator codes are found: 2, 4, and 6. Macero didn't produce Kind of Blue, Irving Townsend did. Sony Legacy were mono, see Michael Framer's review in Analogplanet.com. I didn't realize Music On Vinyl was releasing this same version on RSD as the Columbia pressing. Desktop 2.1 speakerrig: Lenovo IdeaCentre A730 Windows 8.1 PCFoobar 2000 /Spotify PremiumFiiO E17 DACFiiO E09K headphone ampLepai LP-2020A+ amplifierPolk Audio PSW10 subwooferDayton Audio B652 bookshelf speakers. That said, they are BOTH fantastic. Two hundred fifty auction copies with good stamper information and photos of both labels were found: 200 mono and 50 stereo, reflecting the slow early uptake of new stereo phonograms in the late 1950s and early 1960s, The reason why Columbia cut so many lacquers used to puzzle me, but I see it now as a very smart system of distribution and quality control, with inexpensive redundancy built in. Not just the LPs, but the CDs, cassettes, reel to reel tapes and MiniDiscs, Sound engineer Mark Wilder, who made this discovery in 1992, then corrected it using the backup three-track stereo tape for the subsequent remastered reissues. Unanswered Question Conventional Wisdom does not explaintheasymmetrical pairing is Side 1 and Side2 lacquers. The mono tapes have gone missing. If you listen to this audio over numerous speakers, the identical call will be replicated to each of them. Seems a bit confusing with all these different pressings. LPs deriving from a digital source should be anathema to analog purists (like myself) but the Music On Vinyl Kind of Blue sounds terrific, crisp and precise, yet never lacking in warmth or immediacy. It is a sort of rattling sound. In the case of Stereo, six lacquers account for half of all the copies manufactured, none of which are single alphabetic 1A to 1L. W.B of New York adds following correction (September 16,2017): To understand how Columbia matrix codes worked in practice, over 1,000 individual Ebay auctions of. 001527. But sometimes a new remaster can bring new life to old records, yes even a better sound, especially for the bass and drums, yet, what came out in the later fifties and early sixties almost can't be beat. At the beginning or throughout the record. Besides, I said nothing about paying attention to what they said about the vinyl under review; my intention was for people to read what was said about the state of the master tapes, how the most recent mono and stereo mixes were made, etc. This is specially true for master tapes that are over 30 years old and are not the holly grail many believe them to be. Also what comes to trusting the recommendations of people on audio forums, I stopped paying any attention to what critics of any kind music, audio, or otherwise have to say years ago, but the people who write their opinions on audio forums I have equally low faith in. Mix - Miles Davis - Kind Of Blue Vinyl LP Review And Comparison What Version Is The Best Miles Davis, John Coltrane, Cannonball Adderley, and more Miles Davis - Kind Of Blue (FULL MONO LP. 2 sense. He is a true magician when it comes to breathing life into music. Kind of Blue mono promo jacket codes 2 (NY), 4 and 6 (IN). I dont know if this was the case during the original release, but seeing that sometimes it was intentionally done to get a different result it brings in to question the validity of the subsequent remasters. JavaScript is disabled. Any recuts would be the next higher number for that plant. can lpc diagnose in missouri My account. There are also six missing lacquers, matrix code letters not found on either side on any stereo six eye: C, D, F, G, K and L. We now know where lacquer B went (or at least mothers derived from it): Canada. All Blues)and the track-list corrected, right(1. Previously overlooked, there is some evidence that the distribution of promos and possibly manufacture may have been the work of more than one plant, possibly three. And, as a personal taste, I prefer orchestral recordings Porgy , Sketches , and Miles Ahead , all done with Gil Evansspread out. I wonder how a fancy (like Mikey's German unit) or homebrew ultrasonic would do for getting the embedded plastic grunge off? Who knows? you'Ll find love for music, intimate relations, well made drinks, and the likes. 2: Spirit "Spirit" is a cartridge of the central existence by the development of the vertical axis concentration method. Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. They should be booted out. 9 Modern Album of Terre Haute, IN when supplying Chicago Jacksonville, IL plant. In the case of KOB, you would need to at least hear the mono before rendering a judgement as to which you preferred! Even more amazing that no one has taken on a project to "clean it up", or to maybe offer a cleaned and an uncleaned version side by side, so as to appease the purists. Released 17 August 1959 on Columbia (catalog no. starbucks red cup campaign; best practice interventions debriefing; toni cornell height; shafer middle school staff; who are lester holt's parents; lift up the downtrodden meaning; There are pictures of some of the models as well. It is not known how many labels with the side 2 error were printed, but the presence of the Side 2 error is proof of earlypressing status 8/59 to 11/59. Do you know if the original issue was cut using the Columbia EQ curve? Once it's released, you can't go back (I am talking to you George Lucas). That, and . Again from a personal view I think that either of the 2 vinyl box sets, MFSL or the Blue Box BC-13 are better options. Ron Rambach and I get these comments all the time on our Blue Note reissues for Music Matters Jazz. Keeping them separate and sending them left, center and right produced "stereo" in name only. Or about Kind of Blue, "This was the only album in the set that we had to mix from the original . 6 Imperial Packing Co., Inc. of Indianapolis, IN when suppling West Coast pressing plant I hate to contradict the man himself, but Flamenco Sketches is not terrible at all, Miles, in either version. Many sellers omitted mention of matrix codes completely, oridentified only one side, on the assumption the other side would be the same (they are usually not). Columbia went down the letters to a certain point and then started double letters (AJ) so I'd say that was fairly early. Mono and stereo promos were pressed in Bridgeport, and the label fonts were the exact same as would later be used by Pitman. Privacy Policy. Beyond that, you end up with any six-eyepressed between 1959 and 1963. Is that correct. But's it not hybrid so for the Op I'd say the MFSL's redbook is sublime. I just finished comparing the HD tracks 24/192 wave files with theJapanese SACD and the Legacy vinyl (not the poorly pressed blue vinyl). Some of these later re-releases from later generation mothers are better than others.and you may "prefer" the slower speed of the re-mastered "corrected" versions.you may "prefer" the re-mixed (terrible) versions as welljust know that they are not 100% the original intent of the artists involved. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? Most Columbia pressings have asymmetrical non-sequential pairings, such as 1D/1AC. The vinyl isnow secondand the SACD is third on the list (IMHO). Either way he claimed that he hated the Sony releases. 1D/1H, 1H/1D, 1D/1G, 1G/1D, no other letters were found. Featuring Evans at his most mellow and cheery, moody bass modulations by Chambers, notable fast-shuffle boogie drums by Cobb, rich slabs of Coltrane sax, and slalom-sliding trumpet by Miles in joyous Surrey With a Fringe on Top style it might come from a different sound world to the lonely, modal Kind of Blue tunes, but Green Dolphin Streetis nevertheless a blue ribbon bonus track. example of satire in a sentence 0.00 $ Cart. I suppose that is a personal preference. #1. All promos (and very early commercial pressings) have the Side 2 track-listing error. I found 20 sufficiently sharp pictures of back covers acompanying promos. 1B/1B, 1B/1C, 1B/1E, 1B/1H, 1B/1J, 1C/1D, 1C/1F, 1C/1G, 1C/1H, 1C/1J, 1D/1AC, 1D/1D, 1D/1E, 1E/1D, 1G/1H, 1H/1L, 1J/1B 1AA/1F, 1AA/1G, 1AD/1AF, 1AE/1AG. Or at least I didn't see them. It's not distortion. Of course a major difference is stereo vs. mono. Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. Hi michael, Do you know about Music on vinyl in EU. The most frequently found are in, order of magnitude, AJ, AD, BC, AA, AE and AG. (Note however there is potentially contradictory information come to light on manufacture of promo jackets. Pressed in Japan and housed in a tip-on jacket with OBI strip. The stereo presentation revealed more air, more detail and more sheer life than the mono. You must log in or register to reply here. All KoB promos are pre 11/59 (have Side 2 track-list error) with matrix code letter 1D or higher. In no special order, a handful of lacquers were selected to press white label promotional copies for distribution to reviewers and disk jockeys mono (red text label) and stereo (black text label), with the text DEMONSTRATION, and NOT FOR SALE on the label. Worse: later, rare combinations such as 1AC/1AA are found with and without the Side 2 error. I reckon sales of KoB wasmaybem between 1959 and 1963, pure guesswork. The 81 is the only mono Pepper that impresses me. I have an original copy of "Round Midnight" that I bought in Santa Monice back in the 70's. A mono cartridge should not be used to playback a stereo record unless the manufacturer states that it has both horizontal and vertical compliance; however, a stereo cartridge can easily . None were found 1A,1B or 1C, ( which are found only on the commercial release). Perhaps defective, or damaged, they were never put in service. If you love this record (and who in the world does not? He is loved and well know by audiophiles and musicians all over the world. It looks like all of these were mixed at 24/192k (not in the analog domain). No point now crying over degaussed tape or whatever happened. Columbia may eventually have arrived at aneat andorderly system of lacquer distribution withthis combination of plants, but the evidence from Kind of Blue shows that was not how the system worked in 1959. They're very impressive for mono recordings. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more. Kind of Blue is one of wonders of this World Miles and the group were all in their prime. Complete 1st Pressing Label Reference Set: Mono(1961-8), Impulse! Indispensable, LondonJazz is a not-for profit venture, but may occasionally take on work as a paid publicist and/or sell advertising packages. The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. It may not display this or other websites correctly. Early letter-denominated mothers and stampers were used to press further copies with the corrected label for Side 2. (Also, the mono mix for "Flowers Never Bend with the Rainfall" sounds better to me, but that mix seems to only appear on the single and not on the album) The stereo has far higher dynamic range and feels less compressed. The SACD always sounded kind of tubby/boomy but the CD is awful compared to these new files. the typesetting differs, a small point-size round font on one line There are a very large number of 1D/1D and 1J/1J matchingletter pairs found, which all have the same one line album title label style. FIRST! So, would you consider the stereo "unfolded"? Of course this did not affect the mono version, which was sourced from a different recorder, but for this mono reissue, the speed had to again be corrected. I've got several of the Wilder/Sony Miles Davis mono RSD 180g remasters and I'mveryimpressed with them. During these sessions both a mono and a three-track stereo master were created, using a total of four tape recorders running in synchronisation one prime recorder and one safety backup each for mono and stereo. Wildler and Berkowitz recently decided to do another and perhaps final 3-track KOB transfer: to DSD, to 192/24 bit PCM (and probably other resolution digital) and at the same time, a two-channel stereo and a mono mixdown to analog tape. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. I've read about Sony releasing great albums, but how do I participate in Record Store Day? The mono original (and reissue) provides a better overall instrumental balance, with greater emphasis on the piano and more solid imaging. The matrix code on stereo promo auctions found are: Similar to mono, stereo promos were found in four combinations of offset letter pairs, unique letters are E, K, AC and AE; each found as side 1 and side 2, but never mixed eg there is no 1E/1AC or 1K/AE. The label correction is believed to have taken place around November 1959, on the instruction of Teo Macero (hat tip Enrico!). First, a recap of conventional wisdom information gathered in good faith from partial experience, true of some circumstances, but not necessarily applicable to all. Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Analog Planet Exclusive! It was my understanding that the 2x45rpm MoFi reissue we've been waiting two years for was going to be mono as well? By the early 60s, Columbia pressed vinylat several pressing plants of their own (and possibly made use of many others). If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. The 50th Anniversary issue is a pretty blue color! The original recording sessions for Kind of Blue took place at the Columbia 30th Street Studios in Manhattan, nicknamed the Church, in March and April 1959. However, compared to my later "6-eye" 1AJ pressing, the reissue sounds far less "milky-cloudy" and far more transparent to the source, without veering off into the analytical.

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